The art of Pierre Joubert

milkboys Art & Fanart, History & People 22 Comments

Pierre Joubert (June 27, 1910 – January 13, 2002), was a famous French illustrator. He was closely associated with the creation of Scouting and could be called the father of the idolised image of the boy scout in France and Belgium.

He illustrated dozens of books and magazines with images of scouts and other boys in adventurous and escapist settings, shaping the daydreams of generations of teens.

Sculpture Saturday *12

milkboys Art & Fanart, Sculpture Saturday 7 Comments

Did we miss the (queer) point of one of the world’s most famous sculptures? Any thought of the biblical King David is bound to conjure Michelangelo’s 17-foot-tall marble masterwork. Although the sculpture, created between 1501 and 1504, has become one of the most famous artworks in the world, the iconic symbol of the Florentine Republic would not have been possible without Donatello’s earlier work on the same theme, which remains one of the most beautiful, enigmatic, and radical sculptures ever made.

David’s beauty also denotes ancient ideals revived in the Renaissance: the value of physical perfection as a virtue and a celebration of sexual relationships between men and beautiful male youths

Composed at some point between the 1430s and 1450s, Donatello’s bronze David represents a series of firsts in art history. It constitutes the first bronze male nude and the first free-standing statue—unsupported by or unattached to a support—since antiquity. At the time Donatello made the sculpture, the character of David represented how Florence saw itself: a small, mercantile city-state without a duke, and with a history of defending itself against more powerful enemies. But while the David and Goliath story became a popular motif in Florentine art, there is a subversive, queer side to this particular version.

Just a shepherd boy when he fought Goliath, David’s disadvantage is demonstrated here by his prepubescent physique. Naked except for a helmet, sandals, and shin guards, David’s androgynous body is smooth and unmuscular. He shifts his weight onto one foot in naturalistic contrapposto—rather than an idealized, heroic pose—with his hand resting on his provocatively jutting hip as he triumphantly steps his foot on the Philistine conqueror’s head. When viewed from behind, it’s almost impossible to tell what gender or sex the figure is. His hair is long and luxurious, and, judging by the traces of gilding, was originally presented as gold. In one hand, he holds a rock from his sling; in the other, the oversized sword of his enemy.

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