The Mollies Club

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Welcome to the molly house: How a gay bar survived and thrived in a deadly environment of 18th-century Britain.

In 1709, the London journalist Ned Ward published an account of a group he called “the Mollies Club.” Visible through the homophobic bile (he describes the members as a “Gang of Sodomitical Wretches”) is the clear image of a social club that sounds, most of all, like a really good time. Every evening of the week, Ward wrote, at a pub he would not mention by name, a group of men came together to gossip and tell stories, probably laughing like drains as they did so, and occasionally succumbing to “the Delights of the Bottle.”

In 18th and early-19th-century Britain, a “molly” was a commonly used term for men who today might identify as gay, bisexual or queer. Sometimes, this was a slur; sometimes, a more generally used noun, likely coming from mollis, the Latin for soft or effeminate. A whole molly underworld found its home in London, with molly houses, the clubs and bars where these men congregated, scattered across the city like stars in the night sky. Their locale gives some clue to the kind of raucousness and debauchery that went on within them—one was in the shadow of Newgate prison; another in the private rooms of a tavern called the Red Lion. They might be in a brandy shop, or among the theaters of Drury Lane. But wherever they were, in these places, dozens of men would congregate to meet one another for sex or for love, and even stage performances incorporating drag, “marriage” ceremonies, and other kinds of pageantry.

It’s hard to unpick exactly where molly houses came from, or when they became a phenomenon in their own right. In documents from the prior century, there is an abundance of references to, and accounts of, gay men in London’s theaters or at court. Less overtly referenced were gay brothels, which seem harder to place than their heterosexual equivalents. (The historian Rictor Norton suggests that streets once called Cock’s Lane and Lad Lane may lend a few clues.) Before the 18th century, historians Jeffrey Merrick and Bryant Ragan argue, sodomy was like any other sin, and its proponents like any other sinners, “engaged in a particular vice, like gamblers, drunks, adulterers, and the like.”

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Cult of Boys

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With her scrapbook Cult of Boys fashion photographer Toyin Ibidapo created a visiual memorial for the (slightly older) androgynous sons of the fading emo decade.

You can’t always trust your gaydar. Opening this book might let you think of the numerous gay photographers with their affection for teens. Not this time though. Cult of Boys comes form a woman who photographed for clients like the Dazed & Confused magazine or the late queer fashion star Alexander McQueen.

The portraits of the emosih lads featured in this book were made over a longer period of time in her own flat. Most of the boys are scantily clad (or not at all) but eroticism isn’t the major theme; there seems to be an intimate atmosphere built on trust and maybe even friendship. Ingenuous models explore who they are–and who they could be. Although carefully staged the photos seem genuine and emit the honesty and frankness the photography of the young and beautiful so often lacks. Impetuous and with lots of charm the fascinating pictures capture the raw vulnerability of the soft youth.

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The fierce Teen Boys stirring up the Online Beauty Scene

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Would you be inclined to buy makeup because a 10-year-old boy is showing you how to create a look on Instagram? If we’re talking about Jack Bennett of @makeuupbyjack, then the answer could well be a resounding yes.

Since convincing his mother to start his account in May, young Mr. Bennett, who lives in Berkshire, England, has amassed 331,000 followers and attracted the attention of brands like MAC and NYX, which have offered products to create looks. Refinery29 has celebrated him as the next big thing in makeup.

He is the latest evidence of a seismic power shift in the beauty industry, which has thrust social media influencers to the top of the pecking order. Refreshingly, they come in all shapes, sizes, ages and, more recently, genders. Hailed by Marie Claire as the “beauty boys of Instagram,” the early male pioneers, like Patrick Simondac (@PatrickStarrr), Jeffree Star(@jeffreestar) and Manny Gutierrez, (@MannyMua733), have transcended niche to become juggernauts with millions of followers. And their aesthetic is decidedly new: neither old-school-rocker makeup nor drag queen.

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Submitted by Jon Snow

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