Wizards of the Coast has revealed Magic: The Gathering’s first ever trans character. The new character, named Alesha, Who Smiles at Death, is part of Magic: The Gathering’s latest expansion, Fate Reforged. While her card doesn’t mention her gender, a story published on Wizards of the Coast’s website reveals the details of her origin, weaving her background into the tale of combat.
Alesha’s clan tradition allows its members to pick their own name after earning glory in battle, with members usually picking names that reflect battle feats. “She had been so different—only sixteen, a boy in everyone’s eyes but her own, about to choose and declare her name before the khan and all the Mardu.”
When it comes time for Alesha to choose her name after killing her first dragon, she goes in a different direction and takes the opportunity to come out to her battle comrades. “And the whole gathered horde shouted ‘Alesha!’ in reply. The warriors of the Mardu shouted her name. In that moment, if anyone had told her that in three years’ time she would be khan, she just might have dared to believe it.”
Alesha does eventually go on to become kahn, leading the horde of humans, goblins, and orcs into battle.
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Posted on the milkboard by drewby
Model: Helge Johansson
Graham Moore gave a very candid speech while accepting the Oscar for Best Adapted Screenplay for The Imitation Game, a film about gay codebreaker and computer pioneer Alan Turing.
”When I was 16 years old I tried to kill myself because I felt weird and I felt different and I felt like I did not belong, and now I’m standing here,” he said on stage Sunday night. ”I would like for this moment to be for that kid out there who feels like she’s weird or she’s different or she doesn’t fit in anywhere. Yes you do. I promise you do. Stay weird. Stay different, and then when it’s your turn, and you are standing on this stage, please pass the same message along.”
The Fosters Explores the Fear and Possibility of Queer Childhood
In the Feb. 9 episode of ABC Family’s The Fosters, 13-year-old Jude goes to the movies on a double date with Connor, his best friend, and Daria and Taylor, two girls from school. It seems Connor and Daria are there to make out, and they have brought Jude and Taylor along as cover.
When Jude takes his seat, Connor pointedly lowers the armrest between them. But after the lights go down, their pinkies touch and then cross. The camera cuts back and forth between their flushed faces, their eyes wide with nervous excitement and surprise at the intensity, while Daria and Taylor absently watch the “chick flick” they’ve supposedly come to see.
The scene is unexpectedly and palpably erotic—a feat that speaks to the richness and complexity with which the show has developed Jude’s storyline over its first two seasons. And yet it is clear that this touch will not provide a neat resolution to the questions about Jude and Connor’s relationship or sexuality, but, rather, will only deepen the exploration.
Jude is not the first queer teenager on television, but he is among the youngest—and he is the first to be raised by queer parents. The Fosters follows a modern family of a kind rarely seen on television—an interracial lesbian couple, Lena and Stef Adams-Foster, and their five racially diverse children: one biological; three adopted, including Jude; and one whose adoption has been repeatedly stalled—Jude’s sister Callie.
It’s a sentimental teen drama that manages at moments to show foster care and LGBTQ parenting with sensitivity and texture. But its most radical move may be in its depiction of Jude, played with thoughtful nuance by Hayden Byerly.