Troye Sivan released a new music video and it’s very gay!
Young musicianDeclan McKenna tells of how the death of Leelah Alcorn, a transgender teen from Ohio, spurred a flurry of songwriting he hopes will encourage people to care.
I’m 17 now. I wrote Paracetamol between the ages of 15 and 16. With many of my songs, I have this strange habit of spending months fumbling over song structure ideas before suddenly writing all the lyrics in one day, and that’s what happened here. What sparked that flurry was a story I read about a transgender girl called Leelah Alcorn who committed suicide in December 2014. Her mother told her she would never be a girl, and she had been compelled to undergo Christian transgender “conversion” therapy.
It was a disgusting story. Not only must it have been a truly horrific experience for Leelah, but knowing that this wasn’t an isolated case genuinely terrified me.
So I wrote this song called Paracetamol – without really noticing it at first – from the perspective of this ambiguous authoritative figure, talking about somebody they are oppressing, in a sort of disconnected tabloid speak. I guess I’m being the bad guy. I didn’t really want to write it as a victim, firstly because I’m not, but predominantly because it wouldn’t feel right to write it that way. Paracetamol is not written specifically about Leelah’s case, but about sections of the media’s representation of LGBT communities in general. On the odd occasion they are represented, the media tends to be handle it so horribly that the cumulative effect is that their readers – quite understandably – just don’t quite get it either.
It’s pretty important to note here that I’m not trying to suggest that I know everything about this topic, because I don’t, but I do care and I wanted to act, and I think more people need to start actively caring.
When making a music video, it becomes quite difficult to find a director who can puts all your words into pictures and convey the same message. Paracetamol needed somebody who genuinely cared about what the song was trying to say. Trans music videos can be pretty bad and send out the completely wrong message. We approached the brilliant Matt Lambert, whose previous work is fascinating. It’s provocative. Check him out, if you’re not familiar with his work already. I think he has done an amazing job with the video, and he had loads of really great, interesting ideas from the outset. One of the primary things he wanted to focus on, which was important to me and the song, was that it wasn’t portrayed as a tragedy. Many films about trans people have this weird suggestion that they don’t have the chance to be happy. We wanted to make something positive, with people who are actively affected by the topics in the video.
The teenagers that Matt and his team cast were from east London, and watching their friendship develop, almost in real time, was awesome. Those guys are 15, and the story resonated with them. This video doesn’t tell them that their life is going to be shit simply because some people won’t accept who they are. I really hope it’s a video that can speak to people.
It’s a cliche, but although we’re all different, we’re also pretty similar. Rather than caring about the problems that affect us alone, maybe we should start caring about the problems that we’ve created and start reversing them.
I’m talking to someone who offered to help out with the hosting situation right now so this was hopefully the last time the site went down. They’re an actual, professional hoster so while it won’t be free, it will be cheaper than it is right now and we can still rely on professional maintenance of the server and not worry about getting kicked off all of sudden without any warning.
I have connected our Patreon campaign to our chat. So you can now connect your personal Patreon account with your Discord account. That way you get a special user role in the chat that comes with some perks (among other things access to special channels like the behind the scenes blog, the details can be found on the campaign page).
We also added some new channels to the chat. #introductions is the place for you to tell the world how amazingly interesting you are (or just share your dick size, whatever floats your goats). And #homework is there to help you get through school, uni or whatever else is throwing disgusting algebra at you.
So next time you’re bored or just want to pick some flowers just go and check out the chat, it’s a pretty sweet place with loads of nice people. And Blue.
Talking about the chat: One of our resident catboys, which you probably remember from Cute Caturday *9, is thinking about applying for a role as an actor with our friends over at Helix Studios. So if you want to let him know that you support that endeavour, head over to this post on his Tumblr and like it ;)
Video submitted by Denis, photo by F0rever Unde4d and kitten edit by kzone
A hoverboard video without any fires, explosions or faceplants? Yup!
The internet deserves to see this
Posted by BOY CHAD on Thursday, 25 February 2016
This is the occasional post in which we regretfully feature content from the overproduced shit shows that are X-Factor and America’s got Talent because some of the contestants actually do have really nice voices.
First up is 14-year-old Campbell Walker Fields who was adopted by two guys which, of course, was turned into a tearjerker segment but oh well, not his fault, he seems great and certainly can sing.
Then there’s Grace Vander Waal who must have struck a saucy deal with the devil to get a voice like that, she’s pretty awesome, she writes her own songs too! Will be interesting to see how her voice will age.
Greyson Chance (remember about him?) just released his new music video. And while this kind of generic pop is really not my thing, it’s nice to see that he’s still making music even though he seems to have the same difficulties as Ronan Parke when it comes to translating the amazing voice they impressed the world with into a unique brand now that they’re getting older.